The Forgotten Blood Series Back to the books

Book Two · Best read after Book One

How Deep It Goes

How Deep It Goes

PROLOGUE

THE GATES WERE CLOSING, AND KALLA HAD MISJUDGED THE SUN.

She had told herself an hour, maybe more, when the light went copper over the grain fields, enough time to reach the wall before the horns sounded. She had walked this road since she was a child, had counted the distance by the shrines, the dead fig tree, and the place where the road forked toward the river.

Now the horns were already sounding, three short calls from the eastern tower, and the great gate was grinding shut on its stone track, a single slab of black rock, taller than six men, with no seam in it anywhere that Kalla had ever found, though she had looked, as a child, like children look for the edges of things adults tell them not to touch.

She ran. She passed the shrines, the dead fig tree and the fork toward the river.

The guards on the wall didn’t shout for her to hurry. They didn’t shout anything at all. They simply watched her come, faces unreadable above their spears. The discipline in their silence frightened her more than yelling would have. Nobody wasted breath on a girl who was already going to be too late.

She reached the gate as the gap narrowed to the width of a laden mule, then to the width of a man, and threw herself sideways through it a heartbeat before the gate shut with a sound like the world’s jaw closing.

Inside, she lay on the packed earth and gasped.

The city she knew by daylight, the market stalls, the smell of bread, dung and river mud, the noise of it, was gone. In its place was a silence so total that she could hear her own pulse in her ears, and underneath that silence, a different city entirely: torches burning at intervals along streets that had been packed with bodies an hour ago, doors barred, shutters lashed closed, not one soul in the open air but her.

Night belonged to someone else here. She had always known it as she knew that the river flooded in its season, a fact of the world.

A hand closed around her arm and hauled her upright. She nearly screamed before she saw it was old Renni, the tithe-warden, his lined face gray with a fury that had fear underneath it.

“Kalla,” he said, low, as if the walls themselves might be listening. “Foolish girl. Foolish, foolish girl.”

“I didn’t mean…”

“It doesn’t matter what you meant.” He was already pulling her down the street, away from the gate, toward the low stone house. He had the cords looped over his free forearm as he went: a hank of knotted cord for every household on the street, one knot for every name in it, untied at dusk and tied again at dawn. His thumb kept finding the knots as he walked. “Your name isn’t on the cords. But you are inside the wall after the horns, and I can’t leave you in the street.”

“Who counts?”

He didn’t answer. He didn’t need to.

Every house gave a name. That was the tithe. It was older than the wall. It had happened every night of Kalla’s life and every night of her mother’s before it. One person from each household, walked to the tithe house at dusk and walked home before dawn. A cup, or less than a cup. Taken quietly by something that didn’t raise its voice, didn’t explain itself, and had never in living memory taken more than it came for.

That last part wasn’t restraint and everybody knew it. Anything that killed at the tithe was destroyed for it. Not by men, and not gently. The city wasn’t being spared. The city was being kept.

Kalla could have described the ceiling of the tithe house better than the ceiling of the room she slept in.

So when Renni pushed open a door and she saw two dozen people sitting along the walls of a room she had sat in herself, her first feeling was very close to relief.

Then she looked at their faces.

A young man sat with his back to the wall, staring at nothing, his hands opening and closing on his knees. An older woman held a sleeping child in one arm and a covered basket in the other, as though she had been walking somewhere ordinary when the cords named her. She wouldn’t meet anyone’s eyes. In the corner a boy no older than eight sat pressed against his mother’s side, and it was the mother’s expression that undid her: not fear exactly, but a terrible, exhausted resignation.

Nobody looked like that over a cup.

“Renni.” Her voice came out wrong. “Renni, this isn’t the tithe.”

“No,” he said. “It isn’t.”

She knew about the Bleeding like she knew about drought: it arrived, took what it took, and answered nothing. It kept no calendar. It came when the King wanted it, to whichever houses the cords named, and the people it took didn’t walk to the tithe house. They were walked to the palace.

Her family had already paid. An uncle, years before she was born, whose name she had heard spoken exactly once and carefully, the way one speaks of a person not quite permitted to be mourned aloud.

She had always assumed he was dead. It was a cousin who ruined that for her, at a wedding, with too much barley beer and too little sense.

Her uncle had come home.

Not everyone taken to a Bleeding died. That was the fact nobody said out loud in the ordinary run of a day, and it wasn’t a mercy. Some of the chosen came back and picked up their work. Nobody could point to a single mark on them.

Four years later the cords named her uncle’s house again.

He didn’t come back the second time.

Nobody had ever found the rule. There was no pattern in it, nothing in age or health or house or trade, nothing a person could do to make themselves the wrong name to draw. Her cousin said the not-knowing was the point, that it kept the whole city honest in a way certainty never could.

Kalla had never believed him.

She was still sitting with her knees drawn up against the cold floor, looking at the fourth roof-beam, at the place where a lamp had smoked it black over the years, listening to the old woman opposite murmur the same four words over and over, which might have been a prayer, when a boy near the door asked the question nobody else would. He was sixteen, maybe, with the forced steadiness of somebody trying very hard not to be afraid in front of strangers.

“Does he come himself?”

Renni’s silence answered before his voice did.

“He always comes himself,” he said. “That is what a Bleeding is.”

Kalla had seen the palace only from a distance, its black stone walls catching torchlight the way still water catches the moon, and had thought of it as one thinks of a mountain: enormous, permanent, entirely unconcerned with her existence. She had never imagined she would be brought inside it.

At last a door opened, a small one inside the warden’s house, not the outer gates. She hadn’t noticed it until it moved. Nobody had to be told to stand. They all did, in the same instant, before anybody had decided to.

The passage beyond smelled of stone, damp, something underneath both, something she couldn’t name, close and old. It tightened the back of her throat without her understanding why. Guards flanked them the whole way and were entirely unnecessary. Nobody in that procession considered running. Where would they run to? The gates were shut. The night belonged to the palace.

The hall they were brought into was larger than any room Kalla had ever been inside, its ceiling lost somewhere above the torchlight, its floor polished black stone that threw back distorted shapes of everyone who crossed it. They formed a loose crescent near the center, herded there by guards who then withdrew to the walls and waited.

And at the far end of the hall, on a dais that put him above everyone in the room without requiring a throne to do it, stood the King.

He wasn’t what Kalla had built in her mind from the stories. She had pictured a monster: something with a body wrong enough to explain the horror in Renni’s silence. What she saw instead was a tall, still man, dressed simply for somebody who ruled as far as the eye could see and owned a city besides. He might have passed unremarked in a crowded market, except that nobody in this hall was capable of looking at him for more than a moment at a time. It wasn’t his face. It was something underneath the face, a stillness too complete for anything that breathed. Whatever was on that dais had stopped being young so long ago that young was no longer a place it remembered having been.

He didn’t speak. He walked the crescent instead, slow, unhurried. He stopped in front of people for longer than looking would have needed, then moved on.

Kalla watched him pass the old woman with the sleeping child. Pass the boy who had asked whether he came himself. Pass a man perhaps her father’s age who couldn’t stop trembling, and then come back to him.

Nobody moved. Nobody breathed audibly. The only sound in the enormous room was the King’s own footsteps and, beneath them, so faint she thought at first she had imagined it, the small shifting noises of two dozen people trying very hard to disappear.

He stood in front of the trembling man with his head turned very slightly, as though listening for a heartbeat in a quiet room. Then he lifted two fingers, barely a gesture. Two of the wall-guards peeled off and came forward. They took the man by each arm.

The man didn’t fight. He didn’t speak. He looked back once, at nobody in particular. Kalla couldn’t have said whether he was right to; neither, she understood, could he.

He was led out through a smaller door at the side of the hall and it closed behind him. The King went on down the crescent as though nothing had happened, because for him, Kalla understood with a cold drop in her stomach, nothing had. This was simply how a night went, and there would be others before it ended. She made herself breathe. She made herself stay still. She tried to look like someone he would pass over.

He stopped in front of the mother with the sleeping child.

The boy stirred against her, half woken by the stillness around him, and looked up with the particular fearlessness of a child too young to have learned what a room like this meant. He looked at the King as he might have looked at anybody, curious, sleep-heavy, unafraid, and reached one small hand toward him, because children reach toward anything new.

The mother made a sound low in her throat and pulled him back, too late, already too late. The King’s gaze had settled, sharpened into interest.

One moment Kalla was standing frozen in the crescent like everyone else. The next she was between the King and the child.

Every person still capable of moving went to their knees.

Kalla didn’t.

She had not decided not to. There had been no decision in it anywhere, no moment where kneeling presented itself as a choice she declined, only the fact of the child behind her, and the fact of her own body refusing, somewhere beneath reasoning, to get out of the road.

The silence that followed wasn’t the silence before it. That one had been fear holding its breath. This one was the whole room stopping.

The King looked at her.

Not with the appraising sweep he had given the others, weighing and moving on. He looked at her as though he had forgotten anyone could stand in his way: not anger, not yet, something closer to genuine surprise, an expression so unfamiliar on that ancient face that producing it seemed almost to cost him effort.

“Kneel,” somebody whispered behind her. She thought it was Renni’s voice, though she didn’t turn to look.

She didn’t kneel.

She didn’t know, afterward, how long the two of them stood like that: herself upright and shaking in a room full of bowed heads, the King unmoving in front of her, close enough that she could see her own reflection twice over in eyes that were solid black from edge to edge. It might have been a few seconds. It might have been long enough for every person in that hall to finish believing she was already dead.

“You would stand,” the King said at last, “between him and me.”

It wasn’t a question, but the lift at the end of it asked one anyway.

“He’s a child,” Kalla said, and her voice came out steadier than she had any right to expect, though she could feel her whole body shaking with the effort of standing still. “He didn’t do anything.”

“None of them do anything,” the King said. “That has never once been the requirement.”

He tilted his head slightly, studying her the way one studies a language half-remembered from childhood, to find out whether it still means what it used to.

“What is your name?”

She should have been afraid to answer. She found, distantly, that she was, that the fear was there, running underneath everything else like the river under the city, present and enormous, somehow not currently in command of her mouth.

“Kallista,” she said.

The King said nothing at all for a moment. Somewhere behind her, Kallista heard the mother pull her son fully into her arms, heard the small private sound of somebody given back a child they had already started to grieve.

The King smiled.

It wasn’t a kind expression, and it wasn’t, she understood even then, entirely a cruel one either.

“Kallista,” he said, as though he meant to remember it.

CHAPTER ONE

There was no light, and there was no up.

Penelope understood, somewhere underneath the part of her that was still asleep, that this should have frightened her more than it did. There was only pressure: a weight against her whole body, evenly distributed, water pressing down with enough of itself stacked overhead to make a mountain feel modest. Cold, but not cold the way a room is cold. Cold the way stone is cold. Cold that had been cold for longer than the word had existed to describe it.

She wasn’t swimming. She understood that too, distantly, with the certainty facts have inside a dream, arriving fully formed with no memory of learning them. She wasn’t swimming because there was nothing to swim toward. Down had no bottom. Up had no surface. She simply was, suspended in an absence so total it had a texture, black going into a blacker black. The pressure kept pressing and she kept not breaking.

She had been here before; the dream arrived already furnished. The cold was the same cold, the weight was the same weight, and nothing down here had moved so much as an inch since the last time.

There was no person in the dark with her. No shape, no voice, nothing to fight. That should have been the least frightening part of it, and it was somehow the worst: an emptiness so complete it felt occupied anyway, the way a house feels different at three in the morning even with every room accounted for.

Then, from very far away, so faint she might have invented it: a heartbeat.

That part was new.

Not hers. She knew her own heartbeat better than she knew her own name: a hundred and fourteen years of a muscle that kept time because it had always kept time. Not because her body would have stopped without it. This was slower than a heartbeat had any right to be. It came from everywhere and nowhere, as sound does in water instead of air, wrapping around instead of arriving.

It shouldn’t have been possible. Nothing breathed down here. Nothing lived down here. And yet the heartbeat kept coming, patient, enormous, unhurried. It made her understand, with the sudden, sickening clarity dreams sometimes allow right before they let you go, that whatever it belonged to wasn’t afraid of the dark.

It was the dark that should be afraid.

Penelope woke sitting bolt upright in bed with both hands fisted in the sheets and her heart going so hard she could feel it in her eyes. It took her a full three seconds to remember that she didn’t need to breathe. She was doing it anyway, fast and useless, a reflex her body still reached for when it didn’t know what else to do with fear.

The apartment was exactly as she’d left it. Dark, quiet, twenty-one floors up, the city doing its four a.m. business somewhere below the window. Nothing had followed her out of the water. She made herself believe that for almost a full minute before she got up.

She didn’t go back to sleep.

She never did. The dream took her somewhere around one and let her go somewhere around four. What happened after that had settled into a routine she hadn’t chosen and couldn’t seem to break.

She opened the window first. Both hands, the sash going up hard in its frame. Then she stood in front of it and let the cold come in off the avenue until she stopped wanting it there.

Then the coffee maker, though she wouldn’t drink the coffee. She had bought it in April, in a hardware store on Ninth, for no reason she had been willing to examine at the register. The reason turned out to be that it made a noise for seven minutes and the noise was the opposite of the dream in every way.

She read the overnight sheet twice at the kitchen table with the curtain moving beside her. Somewhere in the second pass the first garbage truck came up the avenue, and she knew by then which two of the borough’s dead were going to become somebody’s Monday. Then she cleaned a stovetop that was already clean, because the building was still asleep around her and there was nothing else in it to do.

The counting had started on its own. Twenty-eight nights. Not twenty-eight nights of poor sleep, which happens to people, comes with a name, a pill and a doctor who will listen. Twenty-eight nights of the same dark, the same weight, the same nothing, arriving with the punctuality of an appointment.

And tonight, for the first time, a sound in it.

She had tried, in the second week, simply not going to bed. That lasted four nights and taught her something she would rather not have learned, which was that it was willing to wait.

She stood at the open window with the avenue still dark twenty-one floors down, unable to tell whether something down there had moved closer or she had gotten better at hearing it.

At six-forty she put the coffee maker in the cupboard where she couldn’t see it. She got dressed and didn’t decide anything about telling Michael, which was itself a decision she had now made twenty-eight times.

Michael was already at his desk when she got to the Seven-Two, which was new.

Not new in the sense that he was early: Michael Brennan had been early to work every day, a habit he credited to the Army and she privately suspected was really about the quiet, forty minutes of empty bullpen before the phones started, before anyone could ask him how he was doing. New in the sense that he looked up the second she came through the door, before her shoes had made a sound on the tile, before anything about her entrance should have registered at all.

“Morning,” he said.

“Morning.” She put her bag down. “How’s Molly.”

He didn’t look up. “Eating. Taking a few classes online. Sleeping most nights.”

“That’s not what I asked.”

“I know it isn’t.” He turned a page he wasn’t reading. “She’s still not ready.”

“Okay.”

“She’ll say when she is.”

“I know,” Penelope said. She sat down and let it go for another week.

He held her gaze half a second too long, then went back to his screen. Penelope started her own computer and told herself that half a second meant nothing.

It was the fourth Monday since Ridgefield, since a cold-storage warehouse off the West Side Highway, a folding chair, Molly Brennan’s wrists. Nobody in the department called it that. It was what the two of them called it, and neither of them had ever explained why to the other. They had fallen, without discussing it, into an arrangement that looked from the outside almost exactly like before: coffee at seven-forty, the same two desks pushed nose to nose since her second week in the unit, the same running list of cases nobody upstairs had the manpower to close.

“Reyes wants us on the Kensington thing,” Michael said, not looking up. “Guy called in a wellness check on his neighbor, neighbor’s been dead since Thursday, ME’s saying natural causes, Reyes doesn’t buy it.”

“Why not?”

“Because Reyes doesn’t buy anything. That’s the whole personality.” He slid a folder across the desk. “Guy’s sixty-one, no history, found on the bathroom floor. Neighbor who called it in has a B and E from ’09. He’s got change in his pocket that doesn’t track with his job. Probably nothing. Probably Reyes wants us to make it not-nothing on paper so he can close it clean.”

Penelope opened the folder and didn’t immediately read it, because she was watching Michael watch her not immediately read it.

It had become, over the last month, a very specific kind of exhausting. She had been watched before, for decades at a stretch, by people who didn’t know what they were looking at: cops who thought she had good instincts, exes who thought she had trust issues, one very unfortunate landlord in 1961 who thought she had a drug problem. Michael knew what he was looking at now.

She flipped a page. “Cause of death?”

“Cardiac, officially. ME’s not fighting Reyes on it, just flagged it as a courtesy because the timeline’s weird.” Michael leaned back in his chair. “You’re going to tell me something in the next ten seconds, aren’t you.”

“I don’t know yet.”

“You always know.”

“I don’t always know,” she said. He didn’t entirely believe her. She let it go.

They drove out to Kensington in near-silence. It used to be a comfortable silence, the kind two people who’d worked eleven hundred cases together didn’t need to fill. Michael took Third Avenue under the expressway instead of the parkway, which shaved four minutes and which he’d started doing sometime in the last month without either of them mentioning it. Four fewer minutes in the car was its own kind of mercy.

“You looked toward the stairwell before I heard the door,” he said, about halfway there, not looking away from the road. “Back at the desk. Before Reyes even called it up to us.”

“Michael.”

“I’m not accusing you of anything. I’m telling you I noticed.” His hands didn’t move on the wheel. His voice stayed level, the same level it always stayed, the tone she’d once loved him for because it meant he never panicked at a scene, and now heard differently, because she understood now what it cost him to keep it that level. “That’s all. I notice things now. I didn’t use to notice you noticing things. Now I do, and I don’t know what to do with that, so I’m just… I’m telling you. So it’s not sitting in the car with us not being said.”

Penelope didn’t answer.

“Your arm’s better,” he said, in exactly the same voice. “After Ridgefield you couldn’t get a coffee cup off my desk with that hand. Tuesday you carried a records box up two flights and set it down without thinking about it. I noticed.”

Four weeks ago Lucian had opened that shoulder to the bone while Molly was behind a locked door. Penelope had kept going. She hadn’t learned how badly the arm was damaged until afterward.

“Okay,” Penelope said.

“Okay,” he agreed.

They went most of a mile without either of them saying anything.

“This is awkward,” she said.

“Yeah.”

“I hate it.”

“Yeah.” He put his blinker on for an exit he didn’t need and took it anyway. “We’ll get it back.”

“Will we?”

“I don’t know.” A block went past. “But we’ll get it back.”

The dead man’s apartment smelled like a dead man’s apartment: nearly four days in a sealed apartment with the radiators running, the ME’s people having already been and gone, a super standing in the hallway with a ring of keys in his fist, not wanting to look at anything. Penelope walked the rooms slow and methodical, letting her senses do the work her eyes were only there to justify afterward on a report. Nothing here. Old man, old apartment, old grief in the photographs on the dresser, all of it exactly what it looked like.

It was, she thought, standing in the bedroom doorway with nothing left to do in the room, an enormous relief. He had been sixty-one. His heart had stopped on a Thursday afternoon and the last thing he did on this earth was take hold of a towel rail that came out of the wall in his hand. There was an entire world of ordinary catastrophe still running out there, indifferent, unhurried, not about her at all, and she stayed in the middle of it a few seconds longer than the work required.

There was blood in it, old and settled. None of her business: a nosebleed on a tissue in the bathroom trash, days stale. She caught it anyway, because she caught everything, and some small clerical part of her filed the number without being asked to. Twenty-six days since she had last fed. Six or seven to go before it started costing her anything, twenty before it started costing anyone else. Not urgent. Not yet. Just a fact sitting next to the other facts. She put it away and kept working.

She told Michael it was a natural death. Michael wrote it down. Routine, boring, over by ten-thirty.

It was on the drive back, stopped at a light on Third Avenue with the windows down and the city doing its ordinary November business around them, that the wind came off the water three blocks west. Penelope Veil went very, very still.

“What,” he said.

She didn’t answer right away. She was listening, not with her ears, not exactly, with whatever the rest of it was, the sense that had never had a proper name because nobody had ever taught her one. It came in on the wind. It had come in once before, four weeks ago, in a warehouse with a dead man on the floor. Four strangers in the room had ended a century of her being the most dangerous thing in any room she walked into with four sentences and a question about water.

Cold. Old. The ocean at night, miles from any actual ocean.

“Michael,” she said, and his hand was already moving toward the radio before she finished. “Turn around.”

“Talk to me.”

“I don’t know yet.”

He didn’t ask again.

“But it’s close,” Penelope said. “And it’s not human.”